{"id":1608,"date":"2016-10-16T15:50:55","date_gmt":"2016-10-16T15:50:55","guid":{"rendered":"http:\/\/zumbalaturba.com.ar\/?p=1608"},"modified":"2016-10-16T16:02:45","modified_gmt":"2016-10-16T16:02:45","slug":"eduardo-elia-en-la-nota-azul","status":"publish","type":"post","link":"https:\/\/zumbalaturba.com.ar\/?p=1608","title":{"rendered":"Eduardo Elia en La Nota Azul"},"content":{"rendered":"<p style=\"padding-left: 60px;\"><strong><em>En esta emisi\u00f3n N\u00b0 77 de <\/em><a href=\"https:\/\/www.facebook.com\/lanotaazulradio\/\" target=\"_blank\">La Nota Azul<\/a><em>, el programa de jazz y blues de <\/em>Zumba La Turba<em>, tuvimos el honor de recibir la visita del gran pianista <\/em>Eduardo Elia<em> que presenta en C\u00f3rdoba su \u00faltimo disco &#8220;<\/em>Solo<em>&#8220;.<\/em><\/strong><\/p>\n<p>Abrimos con la m\u00fasica de <strong>Ornette Coleman<\/strong> y su disco de 1959 <img decoding=\"async\" class=\"alignright wp-image-1616\" src=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Tomorrow-Is-The-Question-300x300.jpg\" alt=\"tomorrow-is-the-question\" width=\"131\" height=\"131\" srcset=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Tomorrow-Is-The-Question-300x300.jpg 300w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Tomorrow-Is-The-Question-768x768.jpg 768w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Tomorrow-Is-The-Question-1024x1024.jpg 1024w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Tomorrow-Is-The-Question.jpg 1200w\" sizes=\"(max-width: 131px) 100vw, 131px\" \/><em>Tomorrow Is The Question!<\/em>\u00a0para el\u00a0sello Contemporary. Luego suena <strong>Sam Rivers<\/strong> y su \u00e1lbum <em>Contrasts<\/em>\u00a0de 1979.<\/p>\n<p>Charlamos con <strong>Eduardo Elia<\/strong> acerca de la pr\u00f3xima presentaci\u00f3n en C\u00f3rdoba de su disco <em>Solo,<\/em> primer \u00e1lbum de piano solo en su producci\u00f3n que ya lleva cinco<\/p>\n<p><img decoding=\"async\" class=\"alignleft wp-image-1615\" src=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Solo-Portada-300x300.jpg\" alt=\"solo-portada\" width=\"124\" height=\"124\" srcset=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Solo-Portada-300x300.jpg 300w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Solo-Portada-768x766.jpg 768w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Solo-Portada-1024x1021.jpg 1024w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Solo-Portada.jpg 1421w\" sizes=\"(max-width: 124px) 100vw, 124px\" \/>discos con su firma. Una m\u00fasica exigente, nada complaciente con el oyente y por sobre todo, de alta calidad y excelente interpretaci\u00f3n. Esas ideas sirven para ilustrar\u00a0la mirada y el concepto de la m\u00fasica de Eduardo Elia que en este \u00e1lbum &#8220;Solo&#8221; se expresan de forma descubierta. La selecci\u00f3n del repertorio marca, de alguna forma, un direccionamiento para la escucha de este \u00e1lbum.<img decoding=\"async\" class=\"alignright wp-image-1610\" src=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/de-generaciones-gandini-jodos-300x300.jpg\" alt=\"de-generaciones-gandini-jodos\" width=\"142\" height=\"142\" srcset=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/de-generaciones-gandini-jodos-300x300.jpg 300w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/de-generaciones-gandini-jodos.jpg 460w\" sizes=\"(max-width: 142px) 100vw, 142px\" \/><\/p>\n<p>Tambi\u00e9n compartimos el disco <em>De\/Generaciones 2 pianos,<\/em> a cargo de <strong>Ernesto\u00a0Jodos<\/strong> y <strong>Gerardo Gandini<\/strong>, del sello BlueArt, grabado en el a\u00f1o 2005.<\/p>\n<p>Dialogamos tambi\u00e9n con <strong>Milton Arias<\/strong> acerca de la pr\u00f3xima presentaci\u00f3n del <strong>Juampy Juarez Tr\u00edo<\/strong>, que suma a\u00a0<strong>Oscar Giunta<\/strong> en la bater\u00eda, el pr\u00f3ximo s\u00e1bado 22 en Cocina de Culturas.<\/p>\n<p>Adem\u00e1s, recorriendo los sellos independientes de la escena neyorquina, terminamos con el sello Truth Revolution Records y presentamos a <strong>Ralph Irizarry &amp; Timbalaye<\/strong>, percusionista, timbalista y director de orquesta nacido en Nueva York.<\/p>\n<p>El bloque de <strong>Jazz En La Tele<\/strong> comenta y recomienda <em>El ciudadano Ilustre<\/em>\u00a0y abre el debate sobre el premio Nobel de Literatura a Bob Dylan.<\/p>\n<p>Cerramos, justamente, con la canci\u00f3n <em>Joey<\/em> de <strong>Bob Dylan<\/strong>, adaptada, interpretada y traducida por <strong>Vitor Ramil<\/strong>.<\/p>\n<div id='gallery-1' class='gallery galleryid-1608 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/zumbalaturba.com.ar\/?attachment_id=1614'><img loading=\"lazy\" decoding=\"async\" width=\"90\" height=\"68\" src=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/sam-rivers-contrasts-1-90x68.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1614\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1614'>\n\t\t\t\tSam Rivers: Contrasts\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/zumbalaturba.com.ar\/?attachment_id=1617'><img loading=\"lazy\" decoding=\"async\" width=\"90\" height=\"68\" src=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/Vitor-ramil-tapa-90x68.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1617\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1617'>\n\t\t\t\tVitor Ramil\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>Todo eso y mucho m\u00e1s en dos horas de <strong>jazz<\/strong>, <strong>m\u00fasica<\/strong> y <strong>radio<\/strong>: La Nota Azul. Aqu\u00ed el <a href=\"http:\/\/ar.ivoox.com\/es\/nota-azul-n-77-15-10-2016-audios-mp3_rf_13339433_1.html\" target=\"_blank\"><strong>audio<\/strong> del programa<\/a>:<\/p>\n<p><iframe id=\"audio_13339433\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/ar.ivoox.com\/es\/player_ej_13339433_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_1612\" aria-describedby=\"caption-attachment-1612\" style=\"width: 341px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1612\" src=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/elia-en-la-nota-3-300x168.jpg\" alt=\"elia-en-la-nota-3\" width=\"341\" height=\"191\" srcset=\"https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/elia-en-la-nota-3-300x168.jpg 300w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/elia-en-la-nota-3-768x431.jpg 768w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/elia-en-la-nota-3-800x445.jpg 800w, https:\/\/zumbalaturba.com.ar\/wp-content\/uploads\/2016\/10\/elia-en-la-nota-3.jpg 960w\" sizes=\"(max-width: 341px) 100vw, 341px\" \/><figcaption id=\"caption-attachment-1612\" class=\"wp-caption-text\">Haciendo<em> La Nota Azul<\/em> con Eduardo Elia en el estudio de<em> Zumba La Turba<\/em>.<\/figcaption><\/figure>\n<div class='share-to-whatsapp-wrapper'><div class='share-on-whsp'>Share on: <\/div><div class='clear '><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>En esta emisi\u00f3n N\u00b0 77 de La Nota Azul, el programa de jazz y blues de Zumba La Turba, tuvimos el honor de recibir la visita del gran pianista Eduardo Elia que presenta en C\u00f3rdoba su \u00faltimo disco &#8220;Solo&#8220;. Abrimos con la m\u00fasica de Ornette Coleman y su disco de 1959 Tomorrow Is The Question!\u00a0para [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":1609,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[261],"tags":[81,52,303,293,305,296,166],"class_list":["post-1608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-nota-azul","tag-agenda-cultural","tag-cultura","tag-eduardo-elia","tag-jazz","tag-jazz-federal-club","tag-la-nota-azul","tag-musica"],"_links":{"self":[{"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/1608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1608"}],"version-history":[{"count":0,"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/1608\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=\/wp\/v2\/media\/1609"}],"wp:attachment":[{"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zumbalaturba.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}